When the sampler came to the Guild, it still had the needles and final ball of yarn attached. It has since been cast off and washed (not easy!). It was brought to the Guild weekend in Sheringham two weeks ago - now mounted on a garden hose reel and trolley, so that it can be easily unrolled and re-rolled - a very clever idea, that makes it much more manageable.
The sampler on its hose reel |
The sampler as Gladys left it |
I had slip stitch patterns on my mind at the time, because of the slip stitch workshop I did at Sheringham, so on looking through one of Gladys's notebooks, I noticed a slip-stitch pattern.
None of the patterns in the note-books are named, as far as I know, but I recognised this one: it's slip-stitch honeycomb, which I used for the cushion I made last year, It's odd that Gladys didn't record the names - the numbers are not very memorable by themselves. Did she remember all the names, so that she didn't need to write them down? The information from her family is that she invented some of the patterns, and some of them are marked M.U. in the notebooks, which could be 'Made Up' - you would think that she might have named the new patterns as well.
All a bit mysterious - but fascinating.
This is a FANTASTIC story!
ReplyDeleteYes, it's mind-boggling to think of someone producing such a huge piece of knitting over such a long period of time. The London branch of the Guild has plans to work with the sampler, e.g. find 50 more patterns so that it finally gets to 1000 as Gladys intended.
DeleteI'd never have thought it was possible to have so many different patterns. How wonderful.
ReplyDeleteBarbara Walker's Treasury books must have hundreds, but then a lot of those are colour-work. Sticking to one colour makes it more difficult.
ReplyDeleteFANTASTIC! Can you tell me how long the sampler is (approximately)?
ReplyDeleteEbba from Germany
Over 100 yards, I'm told.
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