It features a series of knitting patterns issued by Sirdar that were inspired by historic items (though the company is not mentioned in the film).
One of the patterns in the same series that is not featured in the film is a man's pullover modelled by Roger Moore (shame he's not in the film). And I wrote about another of the patterns here - a Lady's Lacy Jumper inspired by a knitted doily. Here's its back view from the film, showing the interesting construction.
Sirdar 1401 - back |
Sirdar 1403 |
Beaded pincushion - source for Sirdar 1410 |
Sirdar 1405 |
So these designs are unlike modern vintage knits, which aim at something close to the original, but updated. Instead, they take a stitch detail or a technique from the original, and incorporate it into a completely new design. I kind of like them, although the models have such tiny waists they don't seem like real women, but if you can persuade yourself to look at them with a 1950s eye they look elegant. And the doily-jumper is such an off-the-wall idea - I like designs that abandon the usual back, front, sleeves construction. I'm not sure I would actually want to knit any of them, though.
In case you change your mind I have the doily jumper pattern. I too am intrigued by the construction and the fact that it's quite revealing as shown when modelled - good foundation garments would be a must I think.
ReplyDeleteThe pattern is No.1401 and it's knitted up in Majestic 3 ply and sized for 34, 36, 38 inch bust.
Love the video and the reference to a saucy beaded neckline… thanks so much
I wasn't going to mention the conical bras.... You're right that women in the 1950s seem to have been quite brazen about wearing revealing tops, but presumably were adequately protected by their underwear.
DeleteFantastic social history and timeless tops - although they may need to be bigger for the modern woman:)
ReplyDeleteDefinitely bigger for most women, but also a different shape, I think. Few of us can manage the hour-glass silhouette these days.
Delete