The spinners J. & J. Baldwin & Partners of Halifax and John Paton, Son & Co. Ltd. of Alloa merged in 1920 to form Patons & Baldwins, probably the largest manufacturer of knitting wool in the country. Before the merger, both companies had published knitting patterns: Baldwin's Beehive Booklets and Paton's Helps to Knitters series. In spite of the merger, the component companies continued to operate more or less independently for several years, with the two separate series of pattern leaflets. But eventually, they were merged into a single Helps to Knitters series.
Some of the (very few) 1920s Helps to Knitters leaflets in the Knitting & Crochet Guild collection list the current leaflets on the back. This is the beginning of one such list:
(Click on the image to enlarge it.) The jump in numbering after 84P marks the start of the new series, which began with Helps to Knitters No.101.
(Geeky note: The earlier leaflets had been numbered from 1, but it seems that neither series had reached more than 90 leaflets by 1927, so 101 was a good starting point. A few of the earlier leaflets remained in print for several more years, but were re-issued as Patons & Baldwins' Helps to Knitters, with their original number. A 'P' was appended if the leaflets had originally been a Paton's Helps to Knitters leaflet; so for instance, there were two different leaflets numbered 69 (formerly a Beehive Booklet) and 69P (formerly a Paton's Helps to Knitters leaflet.))
We know that the new Helps to Knitters launched in 1927, because Beehive Booklets were still being advertised in January of that year, but then in April Helps to Knitters No. 102 was advertised:
Ad for Helps to Knitters 102, April 1927 |
But the most intriguing leaflet in the list is No. 101: Hand-knitted spats, in various wools. Whenever I have seen that entry, I have regretted that we don't have the leaflet. In the 1920s, men wore spats over shoes, to cover the ankles and top of the shoe, but they were quite formal, city wear - worn for instance by Bertie Wooster and his ilk in the P G Wodehouse stories, and were definitely not knitted. So what were the Hand-knitted Spats like, and were they for men or women?
Paton and Baldwin's Helps to Knitters, No. 101M.Materials. — 5oz. Patons' super Scotch fingering, 4-ply, or Beehive fingering, 4-ply. Two No. 14 steel knitting needles, 9in. wide elastic.Measurements. — Length from top to heel (with top turned over), 14in.Work at a tension to produce 10 stitches to the inch.Cast on 96 stitches.Work in rib of (K. 2, P. 2) for 4in.Proceed as follows: —1st row. — K. 7, P. 2, * K. 6, P. 2. repeat from to the last 7 stitches, K. 7.2nd row. — K. 1, purl to the last stitch, K. 1.Repeat these two rows for 3½in., ending with the 2nd row.Decrease once at each end of the needle in the next and every following 8th row, until 82 stitches remain.Work 7 rows without shaping.In the next row; K. 1, K. 2 tog., work in pattern on the next 35 stitches, K. 2 tog., P. 2, K. 2 tog., work in pattern to the last 3 stitches, K. 2 tog., K. 1.Continue decreasing in this manner in every 8th row until 74 stitches remain.Decrease once at each end of the needle in every 8th row, until 70 stitches remain. In the next row work on the first 35 stitches, turn.Work in pattern on these 35 stitches for half an inch, ending with a purl row.Increase once at the beginning of the needle in the next and every following second row, whilst at the same time increasing once at the end of the needle in the next and every following 6th row, until there are 61 stitches on the needle.Purl the following row. Proceed as follows: —1st row. — K. 1, increase once in the next stitch, work in pattern to the last 24 stitches, turn.2nd and alternate rows. — Purl to the end of row.3rd row. — K. 1, increase once in the next stitch, work in pattern to the last 27 stitches, turn.5th row. — K. 1, increase once in the next stitch, work in pattern to the last 30 stitches, turn.7th row. — K-. 1, increase once in the next stitch, work in pattern to the last 33 stitches, turn.9th row. — K. 1,. increase once in the next stitch, work in pattern to the last 36 stitches, turn.11th row. — K. 1, increase once in the next stitch, work in pattern to the last 39 stitches, turn.13th row. — K. 1. increase once in the next stitch, Work in pattern to the last 42 stitches, turn.14th row. — Purl to the last 2 stitches, turn.15th row: — Work in pattern to the last 45 stitches, turn.16th row. — Purl to the last 3 stitches, turn.17th row. — Work in pattern to the end of the row. Work 4 rows in plain knitting.Cast off.Work on the remaining 35 stitches to correspond.Work another spat in exactly the same manner.With a damp cloth and hot iron press carefully.Sew up the front seams of the foot. Sew up the back seams. Sew elastic at the instep.
Despite the heat and the fact that August has drawn the majority of society folk from London to the moors or Continental holiday resorts, there was quite a number of people who responded to Lady Strathspey's invitation to her "At Home" at the Savoy Hotel on Wednesday. .....Tea and many delectable dainties for a hot afternoon were particularly acceptable in that cool, shaded room, but Lady Strathspey had arranged a novel interlude for her "At Home" which took the form of a mannequin parade to display the new Highland "spattees" which are to be such a chic adjunct for the sportswoman's wear. They are intended to replace Russian boots, the ugliness of which made them unpopular with most women. The new "spattees" are of shower-proofed wool or tweed and shaped to fit the leg, spat fashion, extending to the knee, with a fancy turnover top. Naturally, the guests were immensely interested in the novelty, and one or two caused no small amusement by trying on the "spattees" then and there.
Another report of the same "At Home", in the Leeds Mercury, suggests that spattees were not just intended for country wear, but for wet weather in town, too. The rising hemlines of skirts and dresses in the 1920s had revealed the silk stockings of ladies who had the money to buy such things, and also exposed the stockings to splashes of rain and mud - and the ankles to cold and wet.
New Ankle Wear. Many people have complained of the free display of the modern ankle, but even more have complained of its encasement in the unbecoming Russian boot. A cure for both ills was introduced at a reception given by Lady Strathspey in the Savoy Hotel this afternoon.
This new fashion for protecting silken ankles in wet weather is called the Highland Spattee, and is made of showerproof wool, or wool and cotton, with a fancy top. Being made spat fashion it is easily slipped over the shoe and stockings, and it fits without the heavy creases which make the Russian boots so ungraceful.
This confirms what the spattees looked like as part of a complete outfit (though it shows them with a coloured stripe on the turnover, which doesn't exist in the instructions given earlier in the post). It also again gives the number as 101M, and not 101. I now think that this was an Australian version of the leaflet (M for Melbourne, perhaps, where P&B's Australian base was) and a separate printing might have been necessary to allow the leaflet to be free in Australia, whereas the British version cost 3d.
There are plenty of patterns for knitted gaiters from about the mid-victorian period not dissimilar to this pattern. A spat or "spatterdash" usually refers to a short gaiter - one could not not describe the illustrated 'spattee' as a spat. Perhaps 'gaiter' was too old fashioned sounding for the flapper's kneelength or over knee gaiter. Or possibly it was to differentiate the knitted pull-on style sartorially from the classic buttoned or buckled gaiter of wool,cloth,rubber or leather? The 'spattee' seems to appear as a name for ladies' knitted gaiters in the 1920s (eg from Womans Mirror May 1927 "newest thing in hosiery is the gaiterhose or spattee, made of stocking-wool, shaped like a spat").
ReplyDeleteThanks for the comment. I have seen earlier patterns for women's gaiters myself, including one in Paton's Knitting & Crocheting Book (in the 1909 edition, and probably earlier editions too). Patons & Baldwins did use the word 'spat' in their Helps to Knitters leaflet - it was only in the Australian copy of the pattern that it gets translated into spattee, and so I assume that P&B intended the connection with men's spats, even though those were only ankle length. And even though other references in the press around 1926/7, like the one you mention and those I have quoted, call them spattees. I've just looked in my ancient (1933 edition) Concise Oxford Dictionary, and that lists spattee as 'A kind of gaiter for women and girls made in imitation of Highland stockings' and gives a date of 1926, which suggests that Lady Strathspey's At Home might indeed have introduced the word, as well as the garment.
DeleteBarbara, this excellently told story is woefully incomplete without a picture of a 2022 woman modelling this garment.
ReplyDeleteI think you're quite right. And said woman should test the spattees by going for a country walk in the rain. But who? And where would she get the spattees from? I just don't know....
DeleteHello Barbara - I enjoyed reading your latest entry and many thanks for mentioning Trove and providing a link - a great place to read old women's magazines - some with interesting knitting patterns!
ReplyDeleteHi Heather. Thanks for your comment. Good to know the link to Trove was useful - it's an amazing resource.
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